Abstract

COSSIA, Lautaro. Retóricas del Che muerto: Entre la información y significación. Trama comun. [online]. 2012, vol.16, n.2, pp.221-232. ISSN 1668-5628.

This paper proposes to compare the use of the same image as strategies of closure organized on different "significant materials": the frozen face of Ernesto Che Guevara with which the film "The Hour of the Furnaces" ends, movie of Fernando Solanas and Octavio Getino that was released in Italy in 1968, and the image of the murdered "guerrillero" in the final vignette of the comic "The life of Che", biography drawn by Hector Oesterheld and Alberto Breccia and published the same year. This selection in the analysis proposes to observe the "visual grammars" that have played in the framework of one historical process which recognizes new manners of socialization of art and a political outline that charge of meanings the resolution of both works.

Keywords : Political documentary; Biography drawn; Rhetoric.

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