SciELO - Scientific Electronic Library Online

 
vol.28 issue1Gregorio Prieto: Autorretratos y narcisismo como pantalla afirmativa de la identidad homosexualEl valor biográfico de la identidad y de la memoria a través de la disidencia sexual en Habíamos ganado la guerra de Esther Tusquets author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

Journal

Article

Indicators

  • Have no cited articlesCited by SciELO

Related links

  • Have no similar articlesSimilars in SciELO

Share


Anclajes

On-line version ISSN 1851-4669

Abstract

RAMOS ARTEAGA, José Antonio. Imaginarios efébicos frente a la vergüenza: Gide en los diarios de Ricardo Molina y Juan Bernier. Anclajes [online]. 2024, vol.28, n.1, pp.31-47. ISSN 1851-4669.  http://dx.doi.org/https://doi.org/10.19137/anclajes-2024-2813.

The poetic group Cántico developed its work mainly between the 40s and 50s of the last century in Córdoba (Spain). Until 2011, the interest aroused in Hispanic literary historiography focused on the eccentric poetic space they occupied in post-civil war literature. The publication of the Diario by Juan Bernier, the main animator of the group, surprised and overwhelmed by the exhaustiveness and crudeness with which he reconstructs his homosexual pederastic practices, those of his companions and the repressive environment against dissent, specially through the mechanism of social shame. The comparison of two autobiographical texts, Bernier's Diario and that of his groupmate, Ricardo Molina, allows us to discover the essential influence of André Gide's pederastic ethical proposal. Studying this intellectual and literary ascendancy as a tolerated device for negotiating desire towards ephebes is an essential chapter of the contemporary homosexual archive.

Keywords : Juan Bernier; Ricardo Molina; André Gide; Pederasty; Diary.

        · abstract in Spanish | Portuguese     · text in Spanish     · Spanish ( pdf )