Abstract

LABIANO, Roncesvalles. Las víctimas en el cine tras el cese definitivo del terrorismo de ETA (2012-2017): memoria, reconciliación y humor. Olivar [online]. 2019, vol.19, n.30, pp.63-63. ISSN 1852-4478.  http://dx.doi.org/https://doi.org/10.24215/18524478e063.

This article explores the representation of the victims in feature films about terrorism in Euskadi released after the announcement of the definitive cessation of the “armed activity” of ETA in 2011. Cinema, as witness and agent of history, has transmitted new concerns, debates and perspectives about past and future in the Basque Country that have emerged or have consolidated in recent years. Many of them allude to the victims or have them as protagonists. As these pages will show, filmmakers have transmitted through their work a certain image of this collective and their memory and have assigned them different roles, more or less active, for the future.

Keywords : Spanish cinema; Terrorism; Definitive cessation of the “armed activity”; ETA; Victims.

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