SciELO - Scientific Electronic Library Online

 
vol.22 issue2Feminisms and performance in Latin America. El tendedero and Un violador en tu caminoFor a plebeian practice (of performance?): María Galindo and Mujeres Creando author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

Journal

Article

Indicators

  • Have no cited articlesCited by SciELO

Related links

  • Have no similar articlesSimilars in SciELO

Share


Cuadernos del CILHA

On-line version ISSN 1852-9615

Abstract

SERBAN, Gabriella. Getting out of the "crisis" of meaning and being: contributions and limits of the performative turn for feminism in Colombia. Cuad. CILHA [online]. 2021, vol.22, n.2, pp.354-369. ISSN 1852-9615.  http://dx.doi.org/10.48162/rev.34.036.

This article is based on the observation of a historical mismatch between drama and feminism in Colombia, due to a problematic simultaneity that occurred in the 1990s in Colombia. It is the simultaneity between, on the one hand, the appearance of gender issues on the stage and, on the other hand, the critics' impression of a "crisis of meaning" -which we will question. In the face of this tendency of post-dramatic theatre, performative proposals constitute an alternative that re-politicises gender and decolonises theatre. The study of emblematic works (by Santiago García, Fabio Rubiano and Patricia Ariza), leads to the conclusion of a specific relevance of performance to gender issues. However, assigning feminism to a specific art form is unsatisfactory, hence the need to explore alternatives.

Keywords : Performance; Colombia; Drama Post-dramatic; Modernity; Feminism.

        · abstract in Spanish     · text in Spanish     · Spanish ( pdf )