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Cuadernos del Centro de Estudios en Diseño y Comunicación. Ensayos
On-line version ISSN 1853-3523
Abstract
CARABALLO, Laura. La parodia y la sátira en la historieta transpositiva de Alberto Breccia. Cuad. Cent. Estud. Diseñ. Comun., Ensayos [online]. 2019, n.74, pp.33-42. ISSN 1853-3523. http://dx.doi.org/10.18682/cdc.vi74.1082.
This article proposes some clues to analyze certain generic aspects of Alberto Breccia’s transposable work. Specifically, it deals with the way in which the author, on the basis of thematic elements of the fantastic, makes a parodic and satirical movement. The cut made in the corpus of his work highlights those comic strips resulting from a transposition of literary stories to the comic strip. The concept of genre extends in turn from literature to other devices, such as comics, allowing us to place these works (and not only the literary texts that inspire them) within the fantastic and the wonderful. Breccia operates in his work a transposition of the fantastic to the image, this genre being a common denominator of his transpositive work.
Keywords : Alberto Breccia; transposition; fantastic; satire..