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| · Introduction to “Rediscovering the Landscape in 21st Century Cinema: Identities, Spaces and Reconfigurations” González Hurtado, Argelia; Paz-Mackay, María Soledad
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| · Capitalism’s Wastes: Debt-Bondage, Landscape, and Extractivism in 7 Prisoneiros Barrientos-Gómez, Andy Leonel
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| · Death and landscape in La distancia más larga (The longest distance, 2013) Rodríguez, Omar
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| · Historical Baggage, and the Andean Landscape in La cordillera (2017) by Santiago Mitre Pifano, Diana
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| · Affective faces as landscapes (faces-landscape) in the Peruvian films Rosa Chumbe (2015) and Magallanes (2015) Moscoso-Garay, Marcos
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| · Rubble, debris and ashes in the end of the Argentinean North Patagonian landscape. A material analysis by Los muertos dos de Manque La Banca and Puyehue by Victoria Sayago and Bruno Stecconi Gattás Vargas, Maia
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| · Alone: a film about displacements, searches and learning Pollarolo, Giovanna
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Articulos |
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| · The transgenic experience and the precariousness of life in the countryside: El costo humano de los agrotóxicos by Piovano and Distancia de rescate by Schweblin Capasso, Verónica; Peez Klein, Daniela
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| · Simulate what you already are. Dandyism and bibliophilia in Trance by Alan Pauls Rodríguez Montiel, Emiliano
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| · Experiment and political experience: the didactic pieces or Lehrstücke of Bertolt Brecht and Kurt Weill Coccaro, Victoria
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| · A critique of the continuum of the History of Chile in the novels of Germán Marín Martínez Martínez, David; Fuentes Leal, Mariela
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| · The despotic regime of the epistolary writer in El pudor del pornógrafo de Alan Pauls Martínez Muñoz, María Luisa
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| · A northern grammar: filming from Salta. Micropolitics of space and orality in the cinema of Lucrecia Martel D'Alessandro, Natalia
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| · The Neo-baroque: Critique to Capitalist Modernity Barrón Rosas, León Felipe
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