Resumen

BARBA, Rafael Morales. Marisa Martínez Pérsico: eros, exodus, memory and gender since the renewal of the realistic poem. CELEHIS [online]. 2022, n.43, pp.71-80. ISSN 2313-9463.

Marisa Martínez Pérsico (1978) is an author with a double poetic and national genealogy: the Spanish tradition, due to the realism of the 80s-90s of the 20th century, and the Latin American tradition, due to the influence of meditative poetry of her native country. She was born and raised in Argentina but she is also Spanish by second generation and by choice. Her poetry, differentiated and different, marked by this double belonging or lineage, kept her away from local generational conversations in her moments of growth and detracted from her, in my opinion, the media presence and generational relevance that, without a doubt, deserves her lyrical work. In this paper I analize the stylistic alternation of her lyrical-emotional diary, from her first book, Las voces de las hojas (Argentina, 1998) to her seventh, Principios y continuaciones (Spain, 2021): her poems-instantaneous,brief exercises with a laconicism bordering on the epigrammatic (aphorems) and those where she appeals to the fulmen in clausula of sharp closures, but also the poetic series that unfolds a lyrical narrativity built on overflow, inserting aphoristic modalities of break. There are a number of registers that show a change of course in the face of realism: uprooting as a geographical and existential condition, linguistic deterritorialization, para-readings of modern classics (her lyrical fortitue is also theoretical), the plastic image related to greguería and the “impure” tropology that listen to the languages of her time.

Palabras clave : Poetry; deterritorialization; double lineage; aforema; Marisa Martínez Pérsico..

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