Resumen

BOTTO FIORA, María Alejandra; CINQUEMANI, Florencia  y  LOPEZ, Liliana. Violencia humorística, connotación emocional del grotesco e Imaginario para el psicoanálisis. CELEHIS [online]. 2023, n.46, pp.5-5. ISSN 2313-9463.

We begin by differentiating between the joke, the comic and humor. We place the first within the Freudian Formations of the Unconscious. The joke allows an admission of repressed desires by providing them with a socially acceptable mode of expression. Instead, the comic is dual.Aggression allows us to think about humorous violence, which has a cathartic affect-saving effect that implies a delimitation of suffering, but it can also take other forms as we will see in Hanna Gadsby's Nanette.On the other hand, we approach the grotesque in its emotional connotation. Kayser links it to the Freudian "It" and to the cultural "other", locates the category in the heterogeneous, the paradoxical, the ridiculous and the sinister associated with the comic. Harpham affirms that the grotesque is characterized by a structure of estrangement, a line that will be investigated in Pedro Lemebel. It supposes 3 points of support of the grotesque: laughter, astonishment, horror.Finally: the Imaginary in psychoanalysis. For psychoanalysis, the Imaginary is an autonomous register, a dimension or a cord of the Borromean knot. To explain this we use what was developed by Lacan from the year 1962.

Palabras clave : Humor; violence; grotesque; emotional connotation; imaginary.

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