Resumo

BAGUE QUILEZ, Luis. ¿Una Transición mágica? Entre la alegoría política y el discurso marginal. Olivar [online]. 2020, vol.20, n.31, pp.72-72. ISSN 1852-4478.  http://dx.doi.org/https://doi.org/10.24215/18524478e072.

This paper deals with a number of works ascribed to what I have called "a magical transition", since all of them privilege a symbolic approach to reality, in contrast to the figurative poetry that prevailed in the eighties. Specifically, I focus on the (intra)historical allegory contained in Primer y último oficio (1979), by Carlos Sahagún; the choral epic developed in Un país como este no es el mío (1978), by José Antonio Gabriel y Galán; the lyrical thaumaturgy shown in Taller del hechicero (1979), by Aníbal Núñez, and Teoría y práctica del círculo (1979), by Juan Luis Ramos; and, finally, the artificial paradises displayed in Primavera soluble ([1978] 1992), by Aníbal Núñez, and De una niña de provincias que se vino a vivir en un Chagall (1981), by Blanca Andreu. Halfway between political parable and marginal discourse, these titles reflect the creative personality of certain authors who do not conform to their respective generational paradigms and then offer a dissenting perspective about a country in transition from post-Francoism to democracy.

Palavras-chave : Democratic transition; Spanish poetry of the eighties; Carlos Sahagún; José Antonio Gabriel y Galán; Aníbal Núñez; Juan Luis Ramos; Blanca Andreu.