Resumo

VELAZQUEZ, Marcelo. Mediatización y diferencia: La búsqueda de la forma para una puesta en escena de Acreedores de Strindberg. Cuad. Cent. Estud. Diseñ. Comun., Ensayos [online]. 2014, n.50, pp.63-68. ISSN 1853-3523.

Strindberg wrote Creditors in 1888. He didn´t wrote for his time but to come. The big problem in Creditors is a discursive one. Adolfo, Tekla and Gustavo, wage a "war of minds" a psychological struggle and purely spoken. Thrown into the world and unable to tell reality they get trapped in this "prison of language", which is also ours. This new staging of Creditors seeks a shift from the traditional canons of aesthetic realism and naturalism in which the author has been categorized as part of his work. If Creditors raises the question about the art form, this question still guides us: What is the contemporary form for this play of 1888? What is the form that corresponds to the art of our time? We ventured some answers in the signs of staging: inclusion. If Strindberg produces immersed in a great crisis of representation, the proposal is to remove the work to separate it from the visible representative and do not hide the wires that make up the representation. Thus we read Creditors, after more than a century of its writing, and it is our way of approaching modernity.

Palavras-chave : Classics version; Contemporary argentine theater; Realism crisis.

        · resumo em Português | Espanhol     · texto em Espanhol     · Espanhol ( pdf )