Resumo

SKRYZAK, Richard. Las ensoñaciones de un videasta solitario. Cuad. Cent. Estud. Diseñ. Comun., Ensayos [online]. 2015, n.52, pp.161-167. ISSN 1853-3523.

For an art student like me, immersed in the practice of painting in the early '80s, the original utopia video art mainly consisted in the appearance of a new form of artistic expression, perceived both as a breath and an output that allowed to refresh my practice and leave the dead end of the aesthetic vanguard then immersed in the controversy between neo-expressionist painting and minimalist conceptual art. Therefore I continue painting, but with video. Since then two underlying problems continue to fuel my thinking and my work. Can we see the video as a painting? Can we see the video painted? The originality of my video work lies in having aesthetic and historical roots in the history of art, taken simultaneously with a thorough investigation of the qualities of the electronic media, in the light of the concepts of "Vanity" and "Painting-Video ". I take as a reference to the philosopher Jean-Jacques Rousseau who dealing with the boredom of the saloons, equivalent to our "opennings", conceived his "cup-and-ball moral ." Coincidentally, I made a video a few years ago showing a cup-and-ball in action. One day I´ll film my dreams as a solo videographer.

Palavras-chave : J. J. Rousseau; Painting; Vanity; Video.

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