Resumo

STEINBERG, Lorena. El funcionamiento indicial de la imagen en el nuevo cine documental latinoamericano. Cuad. Cent. Estud. Diseñ. Comun., Ensayos [online]. 2015, n.54, pp.51-61. ISSN 1853-3523.

This paper seeks to describe some declarative operations that refer to discourse phenomena that refer to the indicial order in regard to the aspect that is nested in the operation of the image in the documentary film. It is about the effect of authenticating the image as guarantee existence of the fact. This article seeks to describe also the speech mechanisms of bodies, subjects and spaces, focusing on the various authenticating construction operations that occur in the new Latin American documentaries. The work is framed in the conceptualizations of the Theory of Social Speeches by Eliseo Verón which sociosemiotic approach conceives the social network as a system in which the practices and institutions entail a significant dimension. In this sense, the body is a significant critical matter because forms the pivot on which the construction of social identities is based. According to such applications, the paper aims to account for the mode of function for different operations that authenticate and gets verosimilar the veracity of the documentary film speech. It has been considered as a central issue, the "nature" of mediated bodies as metonymic layer of meaning production (Verón, 1987) and as both "witness " body and " testimony" body (indexical imprint) . Consequently, we will define the attributes of bodies, spaces and subjects represented in these films and the relationship that the bodies remain with spaces and objects, taking into account the three levels of the significant configuration set from the Second Peircean trichotomy (indexical, iconic and symbolic orders).

Palavras-chave : Documentary film; Picture; Social speeches; Sociosemiotics; Verón.

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