Resumo

CISNEROS, Julia. Operaciones de montaje y reescritura como huellas del tiempo en “Diagonal Cero”. Cuad. Cent. Estud. Diseñ. Comun., Ensayos [online]. 2019, n.75, pp.36-50. ISSN 1853-3523.  http://dx.doi.org/10.18682/cdc.vi75.1020.

We propose to reflect on the temporality in Diagonal Cero publication (1962 to 1969), edited by the platense artist Edgardo Antonio Vigo. Work with the concept of montage as a key to temporality, both in terms of Diagonal Cero publication and in the artist’s rewriting books. We propose to examine the projection of Diagonal Cero in the Exposición Internacional de Novísima Poesía, making reference to the assembly of the same. From these descriptions, we take the productions as part of a conception about time that includes the materiality of the publication and the aesthetics of participation.

Palavras-chave : Edgardo Antonio Vigo; Diagonal Cero; Visual Poetry; Temporalities.

        · resumo em Português | Espanhol | Francês     · texto em Espanhol     · Espanhol ( pdf )