Resumo

DI LORETO, Juan Alberto. Rembrandt: estética, sujeción y corporalidad. Cuad. Cent. Estud. Diseñ. Comun., Ensayos [online]. 2020, n.78, pp.128-139. ISSN 1853-3523.  http://dx.doi.org/10.18682/cdc.vi78.3666.

The production and context of the Dutch painter Rembrandt Harmenszoon van Rijn, allows an analysis of various changes in the conceptions of subjectivity and body that occur in the European world at the beginning of the 17th century. Through the so-called anatomy lessons and his self-portraits, Rembrandt gives an account of rationalization, the appearance of the individual and objectification of corporality; from a body united to the community in the Middle Ages, to the representation in the Modernity of a body as an inert object; from the community subject to the perception of the subject as a unit.

Palavras-chave : subjectivity; Rembrandt; Harmenszoon van Rijn; 1606-1669; art; Baroque mod..

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