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Cuadernos del Centro de Estudios en Diseño y Comunicación. Ensayos

versão On-line ISSN 1853-3523

Resumo

NORESE, Marta Rosalía. La sostenibilidad cultural: El reconocimiento del tango como patrimonio de la humanidad. Cuad. Cent. Estud. Diseñ. Comun., Ensayos [online]. 2022, n.106, pp.121-135.  Epub 05-Mar-2022. ISSN 1853-3523.  http://dx.doi.org/10.18682/cdc.vi106.4037.

Cultural sustainability. Tango is already between 130 and 140 years old since its creation by 'the poor people of the Montevidean and Buenos Aires conventillos, who were the inventors of tango. "The hybridity of that town - infinite mixtures of external and internal immigration - drives it to react in the face of the crises and the blows of life, it creates a dynamic, develops a skill and achieves (at least always tries) “that the crises be creative.” Argentina had since the 19th century free secular education for all. being hungry or having difficulties but having a people with intelligence and creativity, that's why tango arises and lives and survives, it's not always the same tango: reality changes, people change, happiness and pain change, but there's always an answer ... and therefore a rebirth. Able to invent a language: lunfardo, and a music: Tango. Mestizo and heterodox people, who grow with crises, expressing themselves with their culture.

Palavras-chave : Tango; immigration end nineteenth century; reborn tango 1990; lunfardo; milongas; Intangible Cultural Heritage; orthodoxy-heterodoxy..

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