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vol.33 número1CRIOLLOS, GRINGOS Y TURCOS. UNA ETNOGRAFIA DE LAS RECONFIGURACIONES IDENTITARIAS EN EL CHACO SANTIAGUEÑOEL ÑO CARNAVALÓN NO ES UN DIOS, TAMPOCO UN DIABLO. UNA HUACA CONTEMPORÁNEA EN SAN MIGUEL DE AZAPA (CHILE) índice de autoresíndice de assuntospesquisa de artigos
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Andes

versão On-line ISSN 1668-8090

Resumo

BOASSO, Florencia. ANTROPOLOGÍA VISUAL UN CAMINO PARA COPRODUCIR CONOCIMIENTO. Andes [online]. 2022, vol.33, n.1, pp.26-28. ISSN 1668-8090.

Considering that every anthropologist's job means a profound reflexivity exercise and the exchange and coproduction of knowledge, the theoretical and methodological resources provided by Visual Anthropology can be highly regarded as stimulating indeed. I propose, based on the first-person narrative of deliberations generated in a research work together with Guaraní women, to present strategies of articulation between the audiovisual register and the construction of an ethnographic -textual and filmic- narrative that try to highlight the participation of our interlocutors in the construction of theoretical concepts and anthropological interpretations. Thus, I describe some methodological decision, such as the use of ethnobiography or photo-elicitation. In this way I aspire to explain how the aplication of these resources in the work process resulted in a deepening and broadening of the concept of reflexivity itself and a productive tension in the narrative choices, in addition, give rise to open dialogue and the interpellation of my interlocutors around the axis of the work and the contents and to their active participation in making research decisions that transformed the final product.

Palavras-chave : Visual Anthropology; representation; reflexivity; narrative.

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